The Copyright Directive
As we’ve recently experienced with data protection and GDPR, legislators aren’t immune to revisiting outdated laws in an effort to bring them in line with the modern digital age. EU copyright law
is no exception and is now getting similar treatment in the form of a proposed new Copyright Directive with the aim of protecting copyright holders and creating a more level playing field. To test how much you know about copyright law why not try our fun quiz!
If the Directive is adopted before the Brexit
deadline of 29 March 2019 it will be transposed into UK national law and would bring about significant reform in this area that has fast become one of the most hotly debated (and potentially far reaching) mandates of recent times. The clock is ticking and all eyes are watching to see how this sensitive subject plays out.
What would the affect be?
As well as making online platforms pay for linking to news (largely to protect publishers and news outlets), the most controversial aspect of the Directive (Article 13) essentially pits the internet conglomerates against artists and content creators. Article 13 puts the responsibility on websites to police and enforce copyright on user-generated content. This would hit hosting providers like YouTube and Twitter hard but also affects any other platforms with an upload functionality.
The laws would apply if the main purpose (or one of the main purposes) of the service is to provide access to large amounts of user-generated copyrighted content (e.g. text, music, images, photos, code), which are organised and promoted for profit-making purposes. Service providers must demonstrate that they have made best efforts to prevent the availability of specific content identified by rightsholders, by implementing effective and proportionate measures, and that they act quickly to remove or disable it upon notification.
The intent behind the new measures is that creators (particularly in the music industry) would be more likely to receive fair remuneration for the online use of their copyright works. This is because websites would be prevented from using artists’ content for profit unless they have their permission, effectively forcing internet platforms to enter into licensing agreements or prevent the availability of their works on their site.
Reversing this liability and obliging platforms to actively filter and censor all content, due to its sheer volume, would likely require the implementation of automated content-recognition and review systems to identify and expose infringement. Opponents to the proposed copyright changes argue that these technologies are expensive and would impact start-ups and SMEs far more deeply than the likes of Google and Facebook.
The threat to creativity
Critics also claim that these automated tools are still in their infancy and could lead to the risk of over-censorship where things like parodies, memes and remixes could become a thing of the past (even though copyright
law limitations and exceptions mean that they are entirely legal). The upshot could result in the stifling of creativity, internet freedom and general freedom of expression. Some go as far as claiming the reforms could change the fundamental nature of the internet.
Much to the delight of the Directive’s critics and due to the backlash, the draft proposal was rejected on 5 July by the European Parliament
by a margin of 318 to 278. But this doesn’t mean it’s dead in the water. It will now go back to the drawing board to face further amendments and will be put to the vote again in September. Watch this space to keep on top of all the potential changes to Intellectual Property (IP) and copyright law as dictated by the EU.
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